Saturday, December 6, 2014

The chanting beads in the Hands of the Creator Bramha

I wanted to bring this context into picture after a long time because I felt there was a need to tell the audience reading the spiritual texts, not just the Mahabharath but infact all the books of the Hindu philosophy- The 4 vedas, Ramayan, Mahabharath, and the 18 Puranas. I am putting this part of my ideology into the Mahabharath because as far as my understanding is based on my readings of my books, Sri Madhwacharya wrote the Mahabharatha Tatparya Nirnaya on request of his Guru Sri Bhadharayana. Many people argued Bhadharayana was none other than Veda vyasa but I dont want to get into this debate, because my focus on this part is not relevant to that. The reason why the Guru told Madhwa into writing a treatise on Mahabharath like this one was very well understood by Madhwa and he as inquired by a disciple about the same reason. Madhwa told that the whole of the Vedas, the Ramayan and the Mahabharath completes a total picture of the Mahabharatha. So to say, Mahabharath includes a major part of instances and relevance of its past and gravitates itself into a supirior text per se.
 Brahma, the creator, of all creations on earth is not a mortal even though he took birth from the a seed of a tree in Brahma lok created by Vishnu. In Brahma lok, the time is not 24 hours, it goes to some 5 million years for just one minute on earth. The entire Earth is held on the hood of the snake on which Vishnu sleeps, called Shesha. Brahma lok is the another world that arose due to Cosmic interference inside Vishnu and from his Umbilical cord the lotus springs into the world of the Vedas where the Tree of knowledge gives life to all creatures in the universe. This form from the seed of the tree became into a sage in absolute meditation. In the story of Shankaracharya, there was an outcast man from the Chandala community, he did enormous penance standing on one feet and by years liberated his senses and began to fly. It is thus clear that using penance one can achieve enormous power and so did the person born of the seed from the tree in the Brahma lok.
Gods wanted some tasks to be done on earth and so created man and other 16000 life forms which evolved into many millions later on. Gods knew that their work needed initiation though action and created needs in the thoughts of man and thus Woman was born. Using Woman and creatures and trees on Earth man went on the task of doing his purpose of what Gods kept asking. Thus the inverse had no room in stagnation. Thus Brahma was given to task of creating whatever life forms with their destiny. Brahma took clay and made all sorts of forms and put them hanging. They were seen by Vishnu from his world below and Vishnu destined everything to manifest itself into Huge sizes via Maya, the power of his Yoga. But in order to sustain the Universe, Brahma took birth every 450 trillion years and died every 450 Trillion years.This goes on and on.
So Where did Brahma learn to live and die? What is the way to do the clays that Brahma followed? How did he gain knowledge of engineering purpose of life? The answer is the Vedas. It is the tree on the Brahma lok next to a small pond depicted in the Vedas themselves. To put some analogy with other mythology, the Aztec and Mayans believe in the tree of life. They believe the tree holds all knowledge to empower the soul. In fact, the tree doesnt impart knowledge. It simply empowers the soul to fulfill the desire of the souls that seek the tree for their destiny. The humans of ancient times must have seen the tree. The vedas must have undoubtedly arisen from this belief. Brahma himself is referred to by this name because is not the absolute and ultimate authority on his part. Rather their is another reason beyond his capabilities-Parabrahma. I say this because there is poem taken from the Vedas "Om...Guru devo Maheshvarah, Guru saakshaat ParaBrahma..".. there literally telling the rising of the soul from the Spirit to the Heart and then pass into the Kundalini (bottom of spinal Cord) and here the knowledge takes its course into the brain via the Spinal Cord, ultimately signalling the Brain. The Brain merely obeys its orders.
Let me bring some instances now to justify what I mean to say. The story of Nachiketa is very interesting in the Vedanta and Upanishat. Nachiketa talks to God Yama, the son of the Sun, as what happens after the animal is dead among other questions. In one reply of Yama to Nachiketa, " The man in no more than the Customer inside a Chariot, the driver is the brain and will of the man, the body of man is just a wagon body of the Chariot and the horses are the five sense organs. Thus I came to say that the action of Brahma is driven by his will only while the purpose is that of the Tree in Brahma lok.
Again , another example, In the end of the Mahabharath, the 17th chapter of Shanthi Parva, is the instance when the God Krishna offers divine powers to Bheeshma to live without food and water. At the end, Bheesma dies by asking for death. The body of Bheeshma illuminated from toe to his head and the soul came out of his head and went into the sky above. Thus it is the head that controls the soul. Bheeshma had a very powerful soul. Hence it was illuminated very brightly and the soul was very strong. That is why everyone in the battlefield saw the soul leave his head and as a light radiating like a small sun went into the sky. Thus I did mention why the knowledge arises desire and where it leaves.
Now, the reason I tell the Vedas is the reason for all this is because that the Lord Vishnu saw secrelty , the demon Hayagreeva spying on Brahma just before he was about to stop the life in one of the trillionth year period and take rest for 450 trillion period. Thus the Vedas came out of Brahma's mouth and tried to go back to the tree. Hayagreeva took the Vedas intervened and let open his mouth and into came the Vedas. He was escaping and hid on an island on Earth. Thus the Matsya Avatar of Vishnu came and the rest was part of the Matsya Purana. What point I wanted to make here is that, the vedas are the cause of all creations living and nonliving in the Universe. Remember, the great scientists like Albert Einstein, Nikola Tesla and others reading Vedas and creating many  new inventions. Thus I attribute the cause of all creatures and creations to the force hidden in the words of the Vedas. Now, as per the Creator, why he is holding the counting beads in one hand and the Book of Vedas in the other hand is interesting. Brahma, became used to creating, Destroying, living and dying and living. Thus his art of creating  shows how proficient he is in the Vedas. He simply recalls the entire Vedas with just a turn of one bead. Humanly, it would take an year or so!! Brahma is always turning the beads. Remember in Yaksha Prashna, Yudhistira was asked what is that which is faster than the blink of an eye. Yudhistira replies the mind. Hence, what ever other activity Brahma is doing, his third hand is spinning the chain of beads, recollecting multiple times in the Earthly time of a minute, while awaiting any call from humans to gain his presence doing meditation and Prayers. Brahma, is sure that most of creatures doing meditation want a copy of the Vedas, thus as a ready reckoner, he holds a copy of the Vedas for his followers to give away. After all Hinduism is all about sampradhana-Giving away whatever one has.

Friday, July 15, 2011

The essence behind the marriage with different gotras

                   After seeing the article of people in some remote villages in karnataka having blind children throughout their localities,and pointing to endosulphide usage as a pesticides some decades ago and added with the common practice of marrying among relatives,I see that here lies a reason for adopting the principle of marriage among the different Gotras and the matching of kundalini.I believe that Brahmins were once upon a time were as nomadic as any other tribes in India.In fact settlements were meant to be established by Kshatriyas and so Brahmins had settled only for the purpose of serving the kings and after that they must have went away in search of another refuge.This is because we see in Mahabharatha that during the killing of Drona by Dhrushtadhumnya ,Dhrushtadhumnya argued that Drona had left the four duties of Brahmin -Begging,giving alms,teaching and learing.In this context Brahmins could recognize each other as belonging to the same lineage only by the Gotras they possesed and thus must have prevailed the assignment of Gotras to all the other castes in order of their ranks.Matching of Kundalini must have come into practice only after the Greek invasion.Otherwise better historical facts suggest such a reference be made in course of any formal ceremony only to determine its auspiciousity

Tuesday, May 17, 2011

MEANINGS OF WORDS NOT FOUND

THE FOLLOWING ARE THE LIST OF THE WORDS AND PHRASES REFERRED TO THE ABOVE BOOKS IN TERMS OF CHAPTERS 1-42 CONSTITUTING THE 3 BOOK SERIES.

1)STORM-SWIFT .............................PG5 (CH15)
2)EVERFUL........................................PG 6(CH15)
3)BREAK ONE'S BREAD..................PG 21(CH17)
4)WOMB OF OCEAN.......................PG 24(CH22)
5)UNCHASTE....................................PG 28(CH25)
6)SURE ARROWS..............................PG 2(CH32)
7)CLOTH-BAND................................PG 25(CH33)
8)"RE " OF WESTERN MUSIC...........PG 5(CH35)
9)TRUE BLOODED.............................PG 5(CH37)
10)GAIN AN EDGE.............................PG 20(CH37)
11)FLAGPOST.....................................PG 21(CH37)
12)LET FORTH....................................PG 30(CH37)
13)DRY-MOUTHED WITH FEAR......PG 18(CH38)
14)CHOKE WITH TEARS...................PG 12(CH41)
15)RED-SHOT......................................PG 8(CH42)

Wednesday, January 21, 2009

shortest way of telling the mahabharatha

Mahabharata is the world's longest epic poem. .

Volume 1: The Kuru Princes of Hastinapura
Veda Vyasa's epic on the Bharata race was first recited in public by his disciple Vaishampayana at the behest of the ageless seer Vyasa himself. The recital took place in the august presence of King Janamejaya, a great-grandson of Vyasa, and the many learned sages who had assembled for Janamejaya's Sarpa Satra (a twelve-year-long Yajna). This volume describes the lineage of the Kuru princes. When Pandu, the father of the Pandavas, dies in the forest, his wife Kunti returns to Hastinapura with the five boys.

The great Dronacharya trains the Kuru princes in the art of war. The feats of strength preformed by Bheema, and Arjuna's skill at wielding the bow awake jealousy in the minds of Duryodhana and the other Kuru princes.

Duryodhana plots the exile of the Pandavas to the city of Varanavata. Acting on the coded warning given by Vidura, the Pandavas manage to escape from the burning house of shellac.

They live in the guise of mendicants at Ekachakrapura. Later they proceed to Panchala to attend the Swayamvara of Draupadi. Arjuna, the skilful archer, wins Draupadi's hand. In order to obey their mother's words, all the five brothers are married with due ceremony to Draupadi. The Pandavas are recalled to Hastinapura and are given half the Kingdom.

Volume 2: The Pandavas in Exile
Volume 1 described the training of the Pandavas and Kauravas, the Pandavas' escape from the burning house of shellac, their marriage to Draupadi and their subsequent return to Hastinapura.

In this volume are described the slaying of Jarasandha by Bheema, the subjugation of the other kings by the Pandavas and the Rajasooya Yajna performed by Yudhishthira. Later, in the game of dice, the Pandavas lose their kingdom and live in exile.

At the end of the period of exile, when the Pandavas come back to claim their kingdom, Duryodhana refuses to part with even five villages.

Volume 3 - On the Battlefield of Kurukshetra
The first two volumes of the Mahabharata described the growing animosity between the Kauravas and the Pandavas, the costly game of dice which led to the banishment of the Pandavas for thirteen years, the events during the exile and the proposal of peace from Dhritarashtra conveyed by Sanjaya to the Pandavas.

This volume describes the attempts of Krishna to bring about a peaceful settlement between the Kauravas and the Pandavas. They fail and a bitter war is fought for eighteen days. The Pandavas emerge victorious in the end.

the complete Mahabharatha in short for those laymen out there

Mahabharata is the world's longest epic poem. In this complete 3-volume hardbound set, the epic is narrated in its full glory over more than 1300 pages. Volume 1: The Kuru Princes of Hastinapura Veda Vyasa's epic on the Bharata race was first recited in public by his disciple Vaishampayana at the behest of the ageless seer Vyasa himself. The recital took place in the august presence of King Janamejaya, a great-grandson of Vyasa, and the many learned sages who had assembled for Janamejaya's Sarpa Satra (a twelve-year-long Yajna). This volume describes the lineage of the Kuru princes. When Pandu, the father of the Pandavas, dies in the forest, his wife Kunti returns to Hastinapura with the five boys. The great Dronacharya trains the Kuru princes in the art of war. The feats of strength preformed by Bheema, and Arjuna's skill at wielding the bow awake jealousy in the minds of Duryodhana and the other Kuru princes. Duryodhana plots the exile of the Pandavas to the city of Varanavata. Acting on the coded warning given by Vidura, the Pandavas manage to escape from the burning house of shellac. They live in the guise of mendicants at Ekachakrapura. Later they proceed to Panchala to attend the Swayamvara of Draupadi. Arjuna, the skilful archer, wins Draupadi's hand. In order to obey their mother's words, all the five brothers are married with due ceremony to Draupadi. The Pandavas are recalled to Hastinapura and are given half the Kingdom. Volume 2: The Pandavas in Exile Volume 1 described the training of the Pandavas and Kauravas, the Pandavas' escape from the burning house of shellac, their marriage to Draupadi and their subsequent return to Hastinapura. In this volume are described the slaying of Jarasandha by Bheema, the subjugation of the other kings by the Pandavas and the Rajasooya Yajna performed by Yudhishthira. Later, in the game of dice, the Pandavas lose their kingdom and live in exile. At the end of the period of exile, when the Pandavas come back to claim their kingdom, Duryodhana refuses to part with even five villages. Volume 3 - On the Battlefield of Kurukshetra The first two volumes of the Mahabharata described the growing animosity between the Kauravas and the Pandavas, the costly game of dice which led to the banishment of the Pandavas for thirteen years, the events during the exile and the proposal of peace from Dhritarashtra conveyed by Sanjaya to the Pandavas. This volume describes the attempts of Krishna to bring about a peaceful settlement between the Kauravas and the Pandavas. They fail and a bitter war is fought for eighteen days. The Pandavas emerge victorious in the end.